There’s been an exposed roll of 35mm FP4 kicking around my desk drawer for a while now and I’ve no idea where it came from. This is unusual for me. I’m normally keen to develop my films as quickly as possible, convinced that each roll contains a masterpiece crying out to be released into the wild. Consequently there tends to be a lot of disappointment in my life. Anyway, it’s a bit odd to have a roll of film with no clue as to when or where it was shot, or even what camera it was shot with. Probably the one thing I knew for sure was that there wasn’t going to be anything worthwhile on it, otherwise I never would have forgotten about it.
Seeing as the stakes were low (and because fundamentally I’m lazy), I thought I’d stand develop it. But not the reasonably controlled and consistent semi-stand developing I often use for medium format film. Nope, this was the full on sling-it-the-tank-and-leave-it-untouched-until-I-can-be-bothered-to-get-up-from-the-sofa-type. Which turned out to be round about two hours.
- Mix 5ml of Rodinal with 495ml of water
- Don’t bother worrying about the temperature
- Add to tank and agitate for 30 seconds. Or a minute. Or whatever
- Whack tank to get rid of air bubbles
- Make a nice cup of Earl Grey tea, cut a decent-sliced slab of homemade cake, sit down to watch a movie. I don’t recommend Transformers
- When you feel like it, empty the tank, rinse once with water, fix and wash in the normal way
Hanging up the roll to dry I saw that I’d taken around 12 frames, scattered randomly along the whole length of the film. Quite why I’d done this is still a mystery, and although it was clear that the first few shots were taken in Brookwood Cemetery, there was no clue as to when.
However, the remaining frames revealed all. These were taken on a long bicycle ride along the Thames last summer with my Pentax KM. How can I be so sure? Because I also took my Mamiya 645 with me.
A few years back I developed a roll of 35mm FP4 in Rodinal using standard processing. The results were grainier than I would have liked for a 100 ISO film, and I’ve never repeated it. By comparison, these are far more pleasing. Perhaps it’s the weak dilution that reduces the grain? Or the lack of regular agitation? Probably a combination of the two.
One conclusion I’ve come to through personal experience is that traditional grain films like FP4 do very well using stand development, but tabular grain films like T-Max and Delta are best avoided. Everyone else probably realised this years ago. But then again I’ve only just found out they had stopped making VHS players after an embarrassing conversation at the electrical store that made me feel about 80 years old.